Tag Archives: My Guilty Pop Pleasure

Aug 27 2011

Xhibit P: My Guilty Pop Pleasure: 80’s Music

MY GUILTY POP PLEASURE: 80S MUSIC

By 
Written By: Afiya Augustine

Your browser may not support display of this image.To continue on the theme of “music,” I will admit to a guilty pop pleasure that I’ve gotten (and still get) a lot of slack for from family members, friends and even a few co-workers. So here it is:  I absolutely, without a doubt, love 80’s Pop. And I don’t mean the classics that artists like Michael Jackson, Prince, or Whitney Houston turned out in the decade of my birth that everyone in the world knows and has on their iPods for good measure. I also don’t mean that I listen to these songs ever so often. When I say I love 80’s Pop, I’m saying that I listen to it maybe every day, as much as I possibly can and actually actively search for more songs to upload to my mp3 player.
I love everything about 80’s pop and sometimes curse my mother for not having me sooner than she did so I could’ve been alive and functioning in the 80’s to hear all this music first hand (though I doubt that would’ve happened, living in the West Indies and all…). I listen to the hits of known legends like Joan Jet and the Blackhearts, Bon Jovi and then the more obscure bands like English Beat (who’s hit ‘Tenderness’ is the end song for the movie ‘Clueless’), Whitesnake, Haircut 100, Psychedelic Furs, Kajagoogoo and the list goes on… 
The problem that lies with my great love of 80’s pop (in all its glorious aged beauty) is that I live in 2011. Music has made brilliant strides with regards to technology and sound since the 80’s and the 80’s definitely had its share of setbacks.  Most notably, the era of bad hair movements including dripping jerry curls, and super teased mountain volume. Having no color coordination was all the rage, and wearing dresses with shoulder pads, puffy shoulders and tacky bubble dresses made of a fabric that makes me cringe at the sound of it. The AIDs and crack epidemic made its break into the world and people were living in over-indulgent lifestyles.
And of course, in the year 2011, 80’s Pop isn’t relevant unless someone does a cover of it (enter Rihanna’s sampling of ‘Tainted Love’ and Flo Rida’s ‘Right Round’  cover/sample of Dead or Alive’s mega hit). 
You can imagine the stares and weird faces I get when I’m driving to the supermarket and I’m blasting Billy Ocean’s ‘Suddenly’ of DeBarge’s ‘All This Love’ with the windows down. According to society, only those who were old enough to appreciate said music should be reveling in its magic, not a 20-something like me who was still on breast-milk when these songs were in their prime. But guess what? I honestly don’t care much for music generated for my generation. Most of today’s rap songs are bragging rights and some of the pop songs of the last five years or so have become billboard ads for gregarious lifestyles that I can’t afford. It’s over-sexed and over priced and I’m not impressed. Popular music now is literally a popularity contest and I’m only interested if a beat or instrumental composition is audibly entertaining. Other than that, I can care less.
I appreciate 80’s Pop for the fun and funky lyrics. Granted, some of it didn’t make much sense, but the focus was on the music and the people it was reaching out to, without a deep-rooted agenda to push something. And as for the music videos, they all told stories…which is something dozen of artists have forgotten to do when releasing singles these days. When I watch Lionel Richie’s  ‘Hello,’ I’m not only singing along but seeing his confusion to get the girl he wants with just the simple start of the word ‘hello.’  And while people make fun of the hair, style and the (in my opinion AWESOME) music, it is all relevant. As “corny, lame and aged” the 80’s may seem, the style is definitely making a reappearance in fashion and some of the songs are coming back with new (albeit not that much better) covers in the current day. I don’t care what anyone says, 80’s pop music is le best.

Aug 18 2011

Xhibit P: My Guilty Pop Pleasure: K-Pop

My Guilty Pop Pleasure: K-Pop

WRITTEN BY AFIYA AUGUSTINE
Posted by Patrice Peck on 8/17/11 • Categorized as Blog,Music
“My Guilty Pop Pleasure” is an ongoing effort on the XHIBIT P blog to openly address some of the internal conflicts and contradictions that we often feel towards our love for pop culture. If you’d like to be a guest contributor, please contact us.

K-Pop boy band, BIGBANG

That’s right, you read correctly. My guilty pop pleasure is Korean Pop, otherwise known as K-Pop. Now looking at me – a black girl from the West Indies, raised in the notorious rap borough of Brooklyn- you would not think that I would have a thing for music from another part of the world, in another language no less, but I do. I’ll tell you how it all started: one night while watching a mini-marathon of Degrassi (another guilty pleasure for another time) on the N, I stumbled upon the music video for K-Pop Princess BoA. The name of the song was “Eat You Up,” and I was immediately intrigued. She could sing, dance and had style. After a while, however, she disappeared and I have yet to see the video on T.V. again.
BoA “Eat You Up” video:
Months later I stumbled on a copy of The Village Voice, with Jin Young Park, a mega mogul in the Korean entertainment industry on the cover. I have to tell you, I was excited to see this, as I was intrigued by BoA and I wanted to learn more about the culture of K-Pop. The article talked about him trying to launch some of his artists in the states and hoping that he could get them to cross-over into the American music industry. I found his intentions commendable, but I wasn’t too happy with some of the training methods that were going down. It seemed to me that these artists were being manufactured as Asian Hip-Hop knock offs, trained by hip-hop choreographers and enduring singing lessons requiring them to learn English and listen to nothing but Beyonce, Usher, Mariah, Alicia Keys and Keisha Cole. When I told my friends about this, some of them were not pleased.
“Can’t we have something that is genuinely ours?” They demanded. One girl said that she detested the fact that artists feel the need to use hip-hop and R&B culture as a means to break into the industry, using “I can’t stand when [non-blacks] use what is typified as ‘black music,’ to get ahead. These Asians are doing the same thing.” While I tried to tell her that music knows no boundaries, I had to admit that she had a point. I watched videos of some boy bands singing Boys II Men, wearing baggy pants with backward caps, rapping Jay-Z and it left a jarring taste in the mouth.
Years later while mindlessly going through my tumblr dashboard, a girl I knew had a video of a Korean guy dancing. I asked who it was and she (being the K-Pop junkie that she is) pointed me in the right direction, full on with band names, music videos, and some of her favorite songs. And I must admit that while I felt like I was looking at hip-hop through an altered mirror, I found that I couldn’t help but enjoy it. The lyrics (mostly in Korean) are tamer than anything that’s being produced in Hip-hop and R&R at the moment and the beats are infectious. When I walk home from work listening to it on my MP3 player, all I hear and feel is the music. And while they do “borrow” a lot of Hip-Hop and R&B to draw in audience and influence listeners, one thing I HAVE to stress is that they’ve embraced something outside of their own (as I’ve been told) rigid culture and made it their own. I now find it a compliment that Koreans look to ‘black’ music culture and want to be a part of it. Groups like 2NE1 and BigBang have taken elements of hip-hop culture along with other pop culture elements and have dominated the pop charts in Korea and quite a few slots in my MP3 player.